I Home I About I Contact I Guidelines I Directory I World I Peace I Treaty I Charity I Gallery I Archives I Links I

AUSTRALIAN ARTISTS & WRITERS FOR RECONCILIATION
5. Twin Falls Reconciliation by Coral Hull

[Above] Photo of Coral Hull by Coral Hull, 2001.

Coral Hull


5. Twin Falls Reconciliation

for Lisa Bellear



Now several hundred metres up a snaking gorge,

we creep into your arms like lichen moss on dusk.



If your sheer drop into mist is a dream

then let me sleep in your sands -

take me in,

to the melting heat of slow time, your timeless hum.

'Kakudju' or 'Gagadju' -

the steep sheeting of cliff escarpment shadows us,

you are all I will sing

in this hour, what I have known.

I am seeded, planted, cannot return.



Take me in, Gagadju, old mothering flooplain.

White sand and splash pool, warm caves and fine silt.

Through your several stages of cascading falls,

your thoughts carve stones, ancient, recycling

the old tangled vines of your monsoonal hair.



Our deep deep knowledge.

Never lost, preconscious.



As a trickle, or rising in a fine mist -

in those secret sheltered rocky places,

1500 million years of encoded silence

draw me in, say my name -



The plateau is in retreat, pushed back by forces

tolerated but unknowable,

'Kakudju' or 'Gagadju',

how long must we wait for your return?



The clap of lightning sticks and the hot springs,

behind the escarpment of Arhnemland plateau,

the carpentaria palm with the bright red berries.



Sentimentary rocks faulting and jointing,

like clashing cultures now fitting together,

carving and reshaping these Twin Falls,

combining at the base, the one rushing

voice, draining water off its rocky surface,

to form our clear creeks and muddy rivers.



the wet the wet, the wet the wet, the wet

the wet – the boisterous chorus of frogs.

The green tree frog has caught the rain

in his throat, his eye holds old memory.



The smell of a dingo’s golden coat before rain

and our coming. The ripple of tyres on bitumen,

the wet didgerido wood glistening in the sun.



The first knock-me-down grass, the hushing

and whispering savanna, the hoarse dry voice.



The warming termite mound is a barometer

of change, season’s change, we’ve changed –



We have travelled this way before and together.

Now we will travel forever. We are guided words

and all our songs have already been sung here.



We did not lose you -- we were all lost.

But reconciled, we will be found again.



See how this land and time replenish themselves.



The dry season has come, Gagadju.

In this climate there can be no tears.



About the Writer Coral Hull

Coral is the author of over fifty books of poetry, prose poetry, fiction, artwork and digital photography. Born with Autism in 1965, she was raised under disadvantaged circumstances in the working class suburb of Liverpool in Sydney's outer west. Coral became concerned with issues of social justice and spirituality from an early age. Coral became an ethical vegan and an animal rights advocate who has since spent much of her life working voluntarily on behalf of animals and the environment, both as an individual and for various non-profit organisations. She is also the Executive Editor of Thylazine; an electronic journal featuring articles, interviews and reviews of the recent work of Australian writers and artists. Coral Hull's complete works are now available from Artesian Productions. Coral holds a Doctor of Creative Arts Degree (Creative Writing Major) from the University of Wollongong. An extensive biography, list of publications, interviews, articles and reviews are online. Coral is The Director of The Thylazine Foundation: Arts, Ethics and Literature.
   [Above] Photo of Coral Hull by Coral Hull, 2001.